Film photography and darkroom practices

Category: The Darkroom

Split grade printing – again

I have written a few posts on split-grade printing before (here and here) but I thought that I would revisit it again in more detail. The reason for this is that I am having some problems with it, so a post like this forces me to re-evaluate what I am doing, starting with the basics and trying to understand where I am going wrong.

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My first Bromoil experience

Bromoil was made for us neo-pictorialists. The long attention to a single image perhaps stretching to several days; the impressionistic rendering of a scene; the knowledge that what you do is connected to the many pioneers of photography such as Alfonso Louis Poitevan, John Pouncey and G. H. Rawlins to mention only a few; these reasons are sufficient to want to keep this old photographic process alive.

But it’s not easy … Continuing the spirit of this web-site, I share my mistakes.

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Lith Printing

Last year I went to North Dakota USA, courtesy of Tillman Crane, to photograph abandoned farms. I had seen some wonderful photographs on the internet in all styles: digital and colour film, photo-gravure, straight monochrome prints, and of course Tillman’s own beautiful platinum/palladium prints. I first heard about Tillman through chatting with AndrĂ© Goulancourt at the Inversnaid Photographic Centre in Scotland in about 1998, now sadly closed. So it was great to actually meet him after all this time.

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