Film photography and darkroom practices

Category: The film process (Page 2 of 3)

Grrr! Tide marks using C-41 Process

This site is partly about sharing frustrations in learning film photography. A difficulty I am having at the moment is the appearance of tide-marks on my negatives after processing with Tetenal C-41 kit using a Jobo.

The tide marks are very evident in the photograph below. Shame, as I quite like the picture. I can clean the negative, but of course it’s better to avoid the problem in the first place.

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Adox Silvermax with Rodinal 1:50

A diary note: Some say that you should stick to one film/developer combination for a few years to get to know their intricacies. I’m not in that camp, as I like to play. Most of the time I use Ilford FP4, HP5 or XP2 Super. I’m not too fussy because most of the work in rendering a nice picture is done in the darkroom. What motivates me most when taking a photograph is to position the exposure so that I end up with a range of printing options.

Today I looked at Silvermax with Rodinal diluted at 1:50 at 20C.

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Air-bells a-plenty – Grrrr!

Out with my Pinhole camera today in the slate mining areas of North Wales. It was a bright day so I decided to load the camera with Ilford Pan F 120.

On my return home I thought I would process the images in Rodinal 1:50. It has been a couple of years since I had used Rodinal, and in the past I have always used stand development.

Shock horror when I saw the results:

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Lith Printing

Last year I went to North Dakota USA, courtesy of Tillman Crane, to photograph abandoned farms. I had seen some wonderful photographs on the internet in all styles: digital and colour film, photo-gravure, straight monochrome prints, and of course Tillman’s own beautiful platinum/palladium prints. I first heard about Tillman through chatting with André Goulancourt at the Inversnaid Photographic Centre in Scotland in about 1998, now sadly closed. So it was great to actually meet him after all this time.

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