The ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but can never leave’. Here is the thirteenth picture from the series, this one by Raymond Moore, the ‘go-between’ …
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The ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but can never leave’. Here is the twelth picture from the series, this one by Paul Graham.
I find Graham’s photography profound. To see his archive see here.
The ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but can never leave’. Here is the eleventh picture from the series, this one by Paul Strand.
Continue readingThe ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but can never leave’. Here is the tenth picture from the series, this one by Josef Sudek.
Continue readingThe ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but (can) never leave’. Here is the ninth picture from the series, this one by Fay Godwin.
Continue readingThe ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but (can) never leave’. Here is the eighth in the series, this one by Wright Marion Morris.
Straight Back Chair, The Home Place, Near Norfolk, Nebraska, 1947
A while ago I wrote a short post on Morris here.
The ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but (can) never leave’. Here is the seventh in the series, this one by Sally Mann.
I often gaze at this image. It is a picture of the ‘Bridge on Tallahatchie’, the river where Emmett Till’s corpse was recovered. Unfortunately the reproduction above does not do the picture justice. Sally Mann’s wonderful book ‘Thousand Crossings’ has this picture beautifully rendered.
For the rationale behind this series see here.
The ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but (can) never leave’. Here is the sixth picture, this one by Shore.
The pictures in this series have stopped me and made me think. I am drawn to looking down the length of streets, bridleways, paths …
Today, it is difficult to catch the sense of pioneering playfulness that existed in the early days of what we now call Modernism. On visiting the Bauhaus Museum in Berlin a few years ago, I was struck by the scale of creativity of those years, inspired, I was told, by Friedrich Schiller’s “On the Aesthetic Education of Man”, in which play is the force that makes creativity possible.
Continue readingThe ‘hallowed camp’ is a collection of photographs that I return to on occasion. In the words of the Eagles, these photographs ‘can check out any time … but (can) never leave’. Here is the fourth picture, this one by Ray-Jones.
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Abandoned farm house, North Dakota, lith printed on Foma paper
